Meghan L. E. Kirkwood is a photographer who researches ways landscape imagery can inform and support public conversations around land use, infrastructure, and values towards the natural environment.
Kirkwood earned a B.F.A. from Rhode Island School of Design in Photography before completing her M.F.A. in Studio Art at Tulane University and PhD at the University of Florida. She currently works as an Associate Professor and Chair of Visual Arts at the Sam Fox School of Visual Arts and Design at Washington University in St. Louis. She also serves as area head in Photography.
Kirkwood’s work has been exhibited internationally in solo and group shows at venues including Blue Sky Gallery (Portland, OR), Filter Space (Chicago, IL), Bangkok Art and Culture Center (Thailand), ArtSpace Durban (South Africa), Colorado Photographic Arts Center (Denver, CO), Rosza Art Gallery (Houghton, MI), Plains Art Museum (Fargo, ND), PH21 Gallery (Budapest), Midwest Center for Photography (Wichita, KS), Yost Art Gallery (Highland, KS), and Montgomery College (Tacoma Park, MD).
Her photographs are held in several private and public collections, including the RISD Museum of Art, the Museum of Contemporary Photography in Chicago, University of Idaho, Minot State University, North Dakota Museum of Art, and the University of Florida Genetics Institute. Her work has been featured in publications such as Lenscratch, Don’t Take Pictures, Oxford American, New Landscape Photography, Landscape Stories, Don’t Smile, and Ours.
She has received numerous awards and fellowships to support her research, including from the Crusade for Art Foundation, selection as a Center Santa Fe Top 100 Photographer, full fellowships for graduate research at University of Kansas, Tulane University, and University of Florida. She has also received full funding to participate in artist residencies through the National Parks Service, the Vermont Studio Center, and the Lakeside Lab.
In tandem with her studio practice, Kirkwood also researches in the fields of African art and the history of photography. She holds an MA in Art History from the University of Kansas, where she researched African monuments designed and built by North Koreans, a study that was published in A Companion to Modern African Art (eds. G. Salami and M. Visonà). Her dissertation examined the uses of landscape imagery by contemporary South African photographers. Her writing on photography has been published in Lenscratch, Social Dynamics, Exposure, and Photography and Culture.
Kirkwood is a native New Englander, but lives together with her family in St. Louis, Missouri. When not photographing or traveling, Kirkwood trains for and competes in marathons.